Sarah Moulton Faux; Ted Taylor - Where Should This Music Be? Songs Of Lola Williams

Growing up in the South in the first half of the 20th century, Lola Williams (1913�2013) exhibited great musical talentat a time when women rarely were encouraged to compose, and those who did struggled to hear their works performedpublicly. Williams was a serious Shakespearean scholar as well as music educator, but it was not until her retirement thatshe was able to fully dedicate herself to writing and composition. She quietly created a large body of art songs, mostly inspired by Shakespearean texts, for female voices�solos, duets, and trios�which she seldom shared outside of private clubs.In their melding of vernacular musical forms with classical techniques, her lyrical and tonally lush compositionsare reminiscent of the music of Frederick Delius and Gustav Mahler.The immense work of Williams�s later years languished, untouched, in boxes in her son Derek Williams�s basement until he contacted Sarah Moulton Faux, an acclaimed soprano and former student, who instantly recognized its value. Faux and her long-time collaborator Ted Taylor labored over handwritten drafts, puzzling out the most complete versions, and analyzing the composer�s intent. The resulting program demonstrates Williams�s felicitous pairing of text and music, matching Shakespeare�s inimitable wit and profound verse to painterly/illustrative melodies that are fortunately preserved.This world-premiere recording features texts from A Midsummer Night�s Dream, Love�s Labour�s Lost, TheTempest, Twelfth Night, and Hamlet, as well as Sonnet 116. A rarity is a setting of Shakespeare�s only surviving allegorical poem, The Phoenix and the Turtle.