The Spoldzielnia Muzyczna Contemporary Ensemble's first entirely self-curated and self-produced album.
It is a line act balanced between 20th century classics and experiments in sound oriented theatrically. Set in motion by the Kagelian axe-thump, the narrative displays, by turns, the virtuosity of Franco Donatoni, the hyper-energy of Brigitta Muntendorf, Pawel Szymanski's apparent longing for tradition, and Piotr Peszat's electronic syntheses, to conclude with a nutty dance on cans and chimes in the piece by Ricardo Eizirik. So, new music conquers a wider horizon�just like Spoldzielnia themselves do.